Terminal Studio: Domus Dei

Designer

2008

Eugene, Oregon

University of Oregon Architecture, Professor Jim Givens

This terminal studio entitled ‘Domus Dei’ was based on a large half-block site in downtown Eugene, Oregon. The assignments only requirements were for students to select a religion and design a worship space and associated programming of their choosing. I chose to design a Catholic cathedral with flexible community event and service spaces.

Plan: Level 1 & 2 N►

Additional programming was based on developing a project that was able to support the community as a whole through charitable efforts and outreach in part by creating rentable indoor and outdoor spaces for functions such as weddings, banquets and farmers markets. To fulfill this mission, the site includes kindergarten classrooms, an event hall, offices and meeting spaces. These elements wrap a large open plaza lined with trees and at the midpoint, pavers give way to grass that flows down a gentle slope providing outdoor space for children and larger events. An infinity edge reflecting pond sits directly behind the cathedral’s apse, creating dramatic reflections of the metallic facade and splashing into a surrounding basin creating white noise to muffle the traffic beyond. The site has three entry points on all public faces, welcoming the public to pass through to enjoy this urban park and plaza. The east site entry passes below large bells recessed into a niche above.


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The main congregation space uses traditional programmed elements of cathedral design and dramatic natural lighting, modernized by a unique, curved volume. Translucent skylights run the length of the nave, directly above the aisles on each side of the pews. Light flows down the curved interior walls, contrasting against the deep glulam frames, each a unique shape to form a truly unique volume. With a second cantilevered layer of rib-like glulams hovering gently above the nave, a canopy of lights lower the perceived ceiling plane at night to support the otherwise naturally lit space.

Between each structural bay, recesses filled with modern mosaics of stained glass are reminiscent of historic stained glass windows, each one illuminating one of 14 Stations of the Cross sculptures, with bays at each end for holy water basins and another for the Patron Saint statue. This same stained glass appears at the narthex, providing visual privacy from the street while votive candles placed in niches behind the glass illuminate the colored panes for pedestrians.

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